“THE AMERICAN WEST” (10 p.m., AMC). “The Last Ship” (9 p.m., TNT). “RIDE WITH NORMAN REEDUS” (10 p.m., AMC). “GUILT” (9 p.m., Freeform). “Major Crimes” (10 p.m., TNT). “BRAIN DEAD” (10 p.m., CBS). “SPARTAN: ULTIMATE TEAM CHALLENGE” (10 p.m., NBC). “TO TELL THE TRUTH” (8 p.m., ABC). “UNCLE BUCK” (9 p.m., ABC). “ANIMAL KINGDOM” (9 p.m., TNT). “WRECKED” (10 p.m., TBS).
I bring that to your attention upfront because that’s information that you’re probably going to need in 2014, Chvrches, one of this h&m ballet flats uk year’s biggest buzz bands, is poised to breakthrough into the mainstream very soon, The Scottish synth-pop trio has the look, the sound and most definitely the material to entice the masses, The band’s full-length debut, “The Bones of What You Believe,” was released in September and immediately hailed by many as one of 2013’s best albums, Yet, the album isn’t nearly as strong as the trio’s live show..
The Frida Cinema: Owned by a non-profit arts organization, this old-school styled theater has volunteers in the ticket booth and concessions. The auditorium’s former seats have been recently replaced by cushy, high-backed ones. The venue touts itself as “Orange County’s year-round film festival” and screens independent, classic, short, anime and avant garde films, along with current movies. And as a bonus, each ticket comes with a discount offer for a local restaurant. 305 E. 4th St. #100, Santa Ana, 714-285-9422, www.thefridacinema.org.
There is a story about an adult, modern theater performer, She or he says, “I’ve been taking dance lessons since I was 3 years old! Voice lessons since I was 4! I’ve been acting in school and taking acting lessons since I was 5! And finally, today, I’ve been cast! I will be in the ensemble for (insert name of oft-seen musical) at (insert name of obscure community theater)!”, Max Tachis, who has built a fine career as an actor, including at City h&m ballet flats uk Lights, Palo Alto Players and TheatreWorks Silicon Valley, skipped all of that..
Director Scott also has played both Wendy and Peter on Broadway and in regional theaters, giving her a very intimate understanding of this show. You can put Farbstein’s name right up there with those superstars — she’s that terrific. For one thing, she’s got a natural physicality that enables her to move naturally. There’s something about the way she cocks her head, slow grin spreading across her face, expressive eyes twinkling, that makes the audience feel they are, indeed, seeing the real deal. She even makes it sound sincere after Wendy sews on Peter’s shadow and he proposes that Wendy become his mother. “None of us have any pockets,” he helplessly explains.
