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At the time, she had forgotten the cameras were rolling. As soon as she remembered, she requested that Lipitz ditch the footage. She’s not a crier, she insists. “Of course, there goes Amanda finding my one soft moment of the year where I’m bawling my eyes out,” she says in an interview. But now she’s glad the scene made it in. The scene takes her back to the powerful feelings rushing through her — how afraid she was to let Giraldo down; how letting Giraldo down meant failing not just the other girls in the school but also — “and this sounds really grandiose” — the larger community.

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The organization combined forces with YouGov, a market research and data analytics firm, to conduct a survey of more than 500 U.S. consumers with $1 million or more to invest in real estate in the next three years. The majority of buyers in the survey seeking luxe homes are 25- to 49-year-olds who have inherited or will be inheriting significant wealth, YouGov says. “This group is unlike any American generation before it,” the report says. “They will ultimately be larger in number and greater in economic power than the wealthy in the gilded age of the Rockefellers.”.

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In many ways, “Skate Kitchen” plays out like previous coming-of-age tales of peril and self-discovery, from “Kids” and “Thirteen” to last year’s “The Florida Project.” As in those films, director Crystal Moselle here strives for unadorned realism, beginning with a cast of mostly nonprofessional actors. (The filmmaker reportedly discovered Vinberg – an accomplished skateboarder in real life – by way of her Instagram feed.) With the exception of Jaden Smith, on hand to play a red-haired, soft-spoken skater kid, the supporting ensemble is composed of members of the actual Skate Kitchen, a real-life posse of fearless, effortlessly charismatic young women whose feminist camaraderie is both inspiring and a little bit intimidating. Not incidentally, Moselle previously directed “The Wolfpack,” a riveting documentary about a family of brothers reared in a bubble of isolation within New York City. She again brings acute observational gifts to a different but similarly tribal group dynamic.