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The Introduction to Project Management course offered at Merritt College this semester presents some interesting opportunities. This step-by-step guide to becoming a project assistant or project coordinator gets you ready for entry-level salaries starting at $35,000. Aligned with the Project Management Institute, this course provides the management fundamentals you’ll need to break into this growth industry. Working through real-world scenario case studies, students will apply methodologies and good practices of formal project management. They will learn to initiate, plan and execute a project to meet scope-of-work specs and to satisfy stakeholders. Best of all, students will prepared to take and successfully pass the Associate Project Management Certification exam. For more information about this intriguing class, which meets Tuesday and Thursday evenings at Merritt College, please contact the instructor, Marilyn Varnado, at 510-290-9201 or email her at mvarnado@peralta.edu.

Part of what made “Parade” almost as revolutionary as Ballets Russes’s earlier masterpiece “The Rite of Spring” is that Cocteau brought popular entertainment into the theater, with a plot that incorporated music halls, silent film and ragtime, a stark departure for the rarefied world of ballet, “They brought the street into the theater,” says Cellista, who was born and raised near Boulder, Colorado, “I love the idea that you reflect the present-day truth in your work.”, She released her score for “Finding San Jose” last year on an album of the same name, and the music paints an affectionately bittersweet portrait of a city in the throes of relentless change, Most of the tracks are Cellista originals and feature her incantatory cello and lapidary sound design (including vocal percussion by Emcee ballet shoes greenville sc Infinite, spoken word interludes, and other strings), though she also covers a song by former Pixies frontman Frank Black and a movement from Olivier Messiaen’s “Quartet for the End of Time.”..

Details: 7:30 p.m.; $45-$69.50; http://sanjose-theaters.org. 2 “HAMLET” ROULETTE: Theater fans around the globe are marking the 400th anniversary of Shakespeare’s passing, and Berkeley’s Shotgun Players are having fun with its Mark Jackson-directed production of “Hamlet.” The rub is that each actor had to learn each key part, and five minutes before each day’s show, the actors randomly select their role from Yorick’s skull. If this be madness, is there method in’t?.

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These are not the run-of-the-mill ballet hands, where the fingers extend from the arms like the well-managed tips of wings. These are hands that can be soft and puttylike, that can bend at the wrist in submission or supplication or that can drape softly. They seem to sigh or ache as they do. Hands, as well as elbows, feet and heads, are a vital part of the power and drama of King’s potent latest dance, simply titled “Shostakovich,” in which the choreographer dramatizes the 20th century’s suffering and hardship. The piece, set to four Shostakovich string quartets, made its world premiere Friday night at the Yerba Buena Center for the Arts in San Francisco. It’s the extremities of the body that gives this dance its fraught, expressionist edge.